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'''Gaetano Felice Orsini''' ({{circa}} 1667 ‐ {{date|1750|10|21}}), often only named '''Gaetano''', was a castrato singer. | '''Gaetano Felice Orsini''' ({{circa}} 1667 ‐ {{date|1750|10|21}}), often only named '''Gaetano''', was a castrato singer. | ||
= Life and | = Life and Career = | ||
Born in Bologna, his path took him to Milan and Vienna. At the court of Vienna, he was one of the busiest singers; his career at the ''Hofkapelle'' lasted more than 50 years in which he performed in many oratorios and operas. As the ''Österreichisches Musiklexikon'' notes, his voice was often accompanied by a violoncello or ''chalumeau'' ''obligato'', not a very frequent choice, which helps us to make assumptions about the character of Orsini's voice that it complemented the cello or the chalumeau ‐ a single-reed woodwind instrument, the predecessor to the modern carinet ‐ so well. | Born in Bologna, his path took him to Milan and Vienna. At the court of Vienna, he was one of the busiest singers; his career at the ''Hofkapelle'' lasted more than 50 years in which he performed in many oratorios and operas. As the ''Österreichisches Musiklexikon'' notes, his voice was often accompanied by a violoncello or ''chalumeau'' ''obligato'', not a very frequent choice, which helps us to make assumptions about the character of Orsini's voice that it complemented the cello or the chalumeau ‐ a single-reed woodwind instrument, the predecessor to the modern carinet ‐ so well. | ||
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| [[2020]] | | [[2020]] | ||
| "[[Bacio l'ombre e le catene]]" | | "[[Bacio l'ombre e le catene]]" | ||
| [[Giovanni Domenico | | [[La decollazione di San Giovanni Battista]] | ||
| [[Giovanni Domenico Filippeschi]] | |||
| [[Antonio Maria Bononcini]] | | [[Antonio Maria Bononcini]] | ||
| [[La Vanità del Mondo (Album)]] | |||
| 1709<ref name="Musicweb"/> | | 1709<ref name="Musicweb"/> | ||
|} | |} |