Duchess Maria Antonia of Bavaria - Revision history

Admin at 17:34, 3 May 2022

2022-05-03T17:34:40Z

← Older revision		Revision as of 17:34, 3 May 2022
Line 98:		Line 98:
	In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA).		In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA).

	Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs.''(Abbridged from Wikipedia)''~~</ref name="Wiki"/>~~		Among many other artists and scientists, she also supported the Kapellmeister Johann Gottlieb Naumann and the painter family Mengs.''(Abbridged from Wikipedia)''

	Among her works are:		Among her works are:

Admin: /* Complete list of musical pieces using words by Maria Antonia of Bavaria */

2021-10-15T11:51:59Z

Complete list of musical pieces using words by Maria Antonia of Bavaria

← Older revision		Revision as of 11:51, 15 October 2021
Line 149:		Line 149:
	\|-		\|-
	\| [[2020]]		\| [[2020]]
	\| [[Johann ~~Adolf~~ Hasse]]		\| [[Johann Adolph Hasse]]
	\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]		\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
	\| [[La conversione di Sant' Agostino]]		\| [[La conversione di Sant' Agostino]]

Admin at 11:36, 15 October 2021

2021-10-15T11:36:47Z

← Older revision		Revision as of 11:36, 15 October 2021
Line 35:		Line 35:
	\| education = {{plainlist\|		\| education = {{plainlist\|
	*Giovanni Battista Ferrandini		*Giovanni Battista Ferrandini
	*[[Nicola ~~Antonio~~ Porpora]]}}		*[[Nicola Porpora]]}}
	\| alma_mater =		\| alma_mater =
	\| occupation = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist		\| occupation = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist

Admin: /* References */

2021-10-15T11:36:22Z

References

← Older revision		Revision as of 11:36, 15 October 2021
Line 158:		Line 158:
	==References==		==References==
	{{Reflist\|refs=		{{Reflist\|refs=
			<ref name="Wiki">
	{{cite web		{{cite web
	\|url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern		\|url=https://de.wikipedia.org/wiki/Maria_Antonia_von_Bayern
Line 171:		Line 171:
	\|archive-date={{date\|2021-10-06\|DMY}}		\|archive-date={{date\|2021-10-06\|DMY}}
	\|quote=}}		\|quote=}}
			</ref>
	}}		}}

Admin: /* Maria Antonia of Bavaria in Philippe Jaroussky's discography, filmography and performance history */

2021-10-15T11:36:00Z

Maria Antonia of Bavaria in Philippe Jaroussky's discography, filmography and performance history

← Older revision		Revision as of 11:36, 15 October 2021
Line 115:		Line 115:
	\| [[2020]]		\| [[2020]]
	\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]		\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
	\| [[La Vanità del Mondo]]		\| [[La Vanità del Mondo (Album)]]

	\|}		\|}
Line 148:		Line 148:

	\|-		\|-
	\|		\| [[2020]]
	\|		\| [[Johann Adolf Hasse]]
	\| La conversione di Sant' Agostino		\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
	\|		\| [[La conversione di Sant' Agostino]]
	\|		\| [[La Vanità del Mondo (Album)]]
	\|		\| 1750<ref name="Wiki"/>
	\|}		\|}

Admin: /* XXX in Philippe Jaroussky's discography, filmography and performance history */

2021-10-15T11:30:54Z

XXX in Philippe Jaroussky's discography, filmography and performance history

← Older revision		Revision as of 11:30, 15 October 2021
Line 104:		Line 104:
	*''Talestri, regina delle Amazzoni'' (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia);		*''Talestri, regina delle Amazzoni'' (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia);
	*''La conversione di Sant'Agostino'' (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse).		*''La conversione di Sant'Agostino'' (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse).
	==~~XXX~~ in Philippe Jaroussky's discography, filmography and performance history==		==Maria Antonia of Bavaria in Philippe Jaroussky's discography, filmography and performance history==
	===Studio albums===		===Studio albums===
	{\| class="wikitable sortable"		{\| class="wikitable sortable"
Line 113:		Line 113:

	\|-		\|-
	\|		\| [[2020]]
	\|		\| [[Il rimorso opprime il seno\|"Si, solo a te mio dio" ... "Il rimorso opprime il seno"]]
	\|		\| [[La Vanità del Mondo]]

	\|}		\|}
Line 137:		Line 137:
	See the respective program page for a list of possible recordings.		See the respective program page for a list of possible recordings.

	===Complete list of musical pieces using words by ~~XXXXXXXX~~===		===Complete list of musical pieces using words by Maria Antonia of Bavaria===
	This listing only reflects the musical pieces performed by Philippe Jaroussky.		This listing only reflects the musical pieces performed by Philippe Jaroussky.
	{\| class="wikitable sortable" style="zebra"		{\| class="wikitable sortable" style="zebra"
Line 150:		Line 150:
	\|		\|
	\|		\|
	\|		\| La conversione di Sant' Agostino
	\|		\|
	\|		\|
	\|		\|
	\|}		\|}

	==References==		==References==
	{{Reflist\|refs=		{{Reflist\|refs=

Admin at 11:23, 15 October 2021

2021-10-15T11:23:41Z

← Older revision		Revision as of 11:23, 15 October 2021
Line 35:		Line 35:
	\| education = {{plainlist\|		\| education = {{plainlist\|
	*Giovanni Battista Ferrandini		*Giovanni Battista Ferrandini
	*Nicola Antonio Porpora}}		*[[Nicola Antonio Porpora]]}}
	\| alma_mater =		\| alma_mater =
	\| occupation = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist		\| occupation = Regent, entrepreneur, composer, librettist, poetess, singer, harpsichordist

Admin at 11:23, 15 October 2021

2021-10-15T11:23:18Z

← Older revision		Revision as of 11:23, 15 October 2021
Line 92:		Line 92:
	}}		}}

	Maria Antonia of Bavaria was a politician, musician, poetess, librettist, composer and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education.		'''Maria Antonia of Bavaria'''(18 July 1724 &dash; 23 April 1780) was a politician, musician, poetess, librettist, composer and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education.
	==Maria Antonia as an artist==		==Maria Antonia as an artist==
	Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''.		Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''.

Admin at 11:21, 15 October 2021

2021-10-15T11:21:32Z

← Older revision		Revision as of 11:21, 15 October 2021
Line 92:		Line 92:
	}}		}}

	Maria Antonia of Bavaria was a politician and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education. Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''.		Maria Antonia of Bavaria was a politician, musician, poetess, librettist, composer and entrepreneur. As the eldest remaining daughter of Charles Albert of Bavaria (later Charles VII, Emperor of the Holy Roman Empire), she received an excellent science and arts education.
			==Maria Antonia as an artist==
			Her birth was celebrated with Pietro Torri's opera ''Amadis de Grecia''. In her youth in Munich, she received composition lessons from the renowned opera composers Giovanni Battista Ferrandini and [[Nicola Antonio Porpora]]. The festivities at her wedding to Frederick Christian of Saxony (1747) featured [[Christoph Willibald Gluck]]'s opera ''Le nozze d'Ercole'' e d'Ebe and [[Johann Adolf Hasse]]'s ''La Spartana generosa''.

	In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA).		In Dresden, she continued her musical studies with [[Johann Adolf Hasse]] and [[Nicola Porpora]] and felt particularly attached to the style of ''opera seria''. She appeared as a singer and harpsichordist in performances of her own works in this genre as well as in numerous performances at court. In 1747 she was admitted to the Accademia dell'Arcadia in Rome, an internationally active literary academy and institution for the reform of opera.[1] The members interacted with each other without regard to their class distinctions and, in the spirit of a simple, natural country life adopted shepherds' names (pseudonyms) for this purpose. Maria Antonia received the name ''Ermelinda Talea Pastorella Arcadi''a (ETPA).

Admin at 11:20, 15 October 2021

2021-10-15T11:20:05Z

← Older revision		Revision as of 11:20, 15 October 2021
Line 100:		Line 100:
	Among her works are:		Among her works are:
	*''Il trionfo della fedeltà'' (opera, performed at Dresden in 1754, libretto and music by Maria Antonia);		*''Il trionfo della fedeltà'' (opera, performed at Dresden in 1754, libretto and music by Maria Antonia);
	*Talestri, regina delle Amazzoni (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia);		*''Talestri, regina delle Amazzoni'' (opera, performed in 1760 at Nymphenburg, libretto and music by Maria Antonia);
	*La conversione di Sant'Agostino (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse).		*''La conversione di Sant'Agostino'' (oratorio, performed in Dresden in 1750, libretto by Maria Antonia, music by Johann Adolf Hasse).
	==XXX in Philippe Jaroussky's discography, filmography and performance history==		==XXX in Philippe Jaroussky's discography, filmography and performance history==
	===Studio albums===		===Studio albums===